Woodcraft: A Reminiscence

13 10 2017

Woodcraft shares reminiscences of childhood experience, dating back to the late 1950’s and early 1960’s, as if told by a grandfather to his grandchildren during meals, just before bedtime, and while walking in the woods.

As may be surmised, the stories come through the perspective of a member of America’s Boomer generation. Many Boomers remember hearing stories from those in the previous Builder generation about their childhoods. We heard the now-cliché, “I used to go to school every day in sub-zero weather, knee-deep in snow, walking two miles uphill, both ways.” This anecdote would usually be employed by people who had experienced the Great Depression and World War 2 to remind younger people to put experience into context. Indeed, the Boomers have been among the most privileged generations in human history.

From time to time those of every generation ask themselves, “Which of the aspects of our past ought to be relegated to the rubbish heap of history, and which are valuable heirlooms that ought to be passed forward into the future?”

Jesus said, “Therefore every scribe who has become a disciple of the kingdom of heaven is like a head of a household who brings out of his treasure things new and old”  (Matthew 13:52 NAU). Not everything old-fashioned is old. Not everything old is old-fashioned, which is to say that not everything old is obsolete and out-of-date. Indeed, some things old are better than the same things new.

Consider a tree. What’s an old tree got that a new tree hasn’t? Plenty. More leaves for air-conditioning shade and for the release of air-improving oxygen. More wood, and often more wood of a higher quality, for the production of lumber. More sap for the manufacture of syrup or naval stores. More nuts, more fruit for use as food by wildlife and by humans and their livestock. More seeds for the reproduction of forests.

Woodcraft does more than ring chords of nostalgia. It looks back not just to induce good feelings of old vibrations, but to remind that some things old ought to remain because they are vibrant and vivacious and vital, because they remain new.

Woodcraft may itself be a new kind of writing in its blend of literary fiction and creative non-fiction. It deals with facts of faith, with theology and philosophy and ethics. It also touches upon a number of other subjects: German-American history, mathematics, music, carpentry, woodworking, forest ecology, plant physiology, silviculture, and popular culture now half a century old. The entire story celebrates education in matters both natural and supernatural, temporal and eternal, physical and spiritual.

The narrative reflects the traditional human desire to pass knowledge and wisdom from one generation to next. More specifically, in this narrative a boy hears and learns things from his father and grandfather about the extended family enterprise. The author realizes that many contemporary readers will not care much about that enterprise. The author has, therefore, chosen to publish the text in an unusual format.  The essential story is printed using 14-point type. That which may be termed scholastic detailing is printed in 12-point type. This format makes it possible for a reader easily to skip over what may be considered TMI (too much information) and track the mainline of the story. Others more inquisitive can read the finer print.

Radio producer David Isay has said that, in a culture that idolizes athletes, popular singers, movie stars, and fashion models, it’s good to hear the stories of ordinary people because their lives and contributions are at least as important, if not more so. Certainly, while celebrities may stand in the limelight, the people who stand in our memories with greater significance are parents, grandparents, teachers, coaches, best friends, and mentors. Most of these people have likely been, employing a couple words spoken by the late Andy Griffith, “just folks.” Yet they have been the ones who made the big differences in our lives.

The big difference in Woodcraft is this: a grandfather employs lessons in arboriculture to teach his grandson the meaning of “I in Christ, and Christ in me.”

For those who don’t cotton to Christianity, try tolerating it here. If nothing else (and that’s a big if), remember that Christianity has been woven into the warp and woof of the American experience from the first days of the Plymouth Colony. Recall how fundamental Christianity has been in the lives of great Americans from George Washington to George Washington Carver, as well as so many others before and after them. Realize the past pervasiveness of Christianity in the cultures of various communities. The culture of the state of Wisconsin, for example, cannot be appreciated without at least apprehending the massive influences of Catholic, Lutheran, Reformed, Methodist, and Baptist forms of Christianity. Consider this reading, then, an exercise in cross-cultural appreciation.

Now available at Amazon as a paperback and as an e-book. If you like what you read, do tell others. Feel free to let these words inspire you to tell your own stories to the members of your own household, stories that edify and encourage and enlighten.

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